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Non è quel basso gonfio che sembra importante quando si suona da soli e poi sparisce appena entrano basso elettrico e chitarra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHa invece un attacco abbastanza rapido e una buona definizione, caratteristica molto utile sia dal vivo sia quando il cajon viene microfonato.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSalendo verso gli angoli la risposta diventa decisamente più secca.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCon lo \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSnare System inserito\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, slap e ghost note acquistano quella componente brillante e leggermente aggressiva che ricorda il comportamento di un rullante molto asciutto. Per un batterista è facile iniziare immediatamente a ragionare in termini di \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecassa, backbeat, ghost e accenti\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, trasferendo sul cajon parte del vocabolario sviluppato sul drum set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa cosa interessante è che la separazione tra bassi e alte rimane leggibile anche quando si aumenta la densità del fraseggio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNon è quindi soltanto un cajon da accompagnamento.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePuò essere suonato forte, con backbeat molto marcati, oppure lavorato con dinamiche basse e ghost note.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSnare On\/Off: non è un semplice gadget\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa leva laterale permette di attivare o disattivare rapidamente il sistema snare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCon lo \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esnare inserito\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e hai il carattere moderno che molti batteristi cercano: attacco immediato, slap brillante e maggiore somiglianza con il rapporto cassa\/rullante di un drum set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTogliendo lo snare cambia parecchio il carattere dello strumento.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl suono diventa più aperto, naturale e vicino alla tradizione del cajon peruviano, con maggiore evidenza del corpo in legno e una risposta che può essere sfruttata anche con un approccio più vicino alle percussioni a mano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eE la leva può essere azionata velocemente anche durante l'esecuzione.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesto significa poter utilizzare \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edue caratteri sonori differenti nello stesso brano\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCostruzione: perché 15 mm di betulla fanno la differenza\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIl corpo è realizzato in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebetulla a 11 strati per uno spessore complessivo di 15 mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer un cajon è una struttura decisamente importante.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUna cassa rigida disperde meno energia attraverso le pareti e permette alla superficie battente e al volume interno dello strumento di lavorare in maniera più prevedibile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNella pratica significa maggiore proiezione, bassi più focalizzati e una sensazione di solidità evidente soprattutto quando si utilizza un tocco energico.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGli angoli sono realizzati in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eacero massello e arrotondati\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, una scelta che migliora sia la robustezza sia il comfort durante sessioni lunghe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa superficie battente \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSela Thin Splash\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è progettata separatamente dal corpo ed è sostituibile. È un dettaglio costruttivo intelligente: la parte maggiormente sottoposta a stress non obbliga a considerare finito l'intero strumento quando, dopo molto utilizzo, mostra segni di usura.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnche i \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eClap Corners\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e possono essere regolati per modificare la risposta degli angoli e ottenere accenti più o meno aperti.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003ePer il batterista che arriva dal drum set\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eÈ probabilmente qui che il SE 106 diventa particolarmente interessante.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn batterista tende istintivamente a cercare sul cajon tre elementi: un basso che possa sostituire la cassa, un backbeat credibile e una zona nella quale inserire ghost note e subdivision.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSu questo Sela questi tre livelli sono abbastanza distinti da permettere di costruire groove veri.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFunk, pop, rock acustico, cantautorato, unplugged e piccoli set possono essere affrontati senza ridurre tutto al classico pattern “basso-slap-basso-slap”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCon una buona tecnica si possono sviluppare ghost, drag, flam, accenti, rudimenti trasferiti dalle mani e pattern lineari.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIl consiglio di Percussion Village\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSe sei un batterista, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enon suonarlo pensando semplicemente di imitare una batteria\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eParti invece dalle tre zone timbriche principali.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLavora il centro per ottenere il basso con il minimo movimento possibile. Cerca poi lo slap vicino al bordo evitando di affondare eccessivamente la mano. Infine trova una terza dinamica molto più bassa per le ghost note.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA questo punto prova un normale groove di sedicesimi come faresti sul drum set, utilizzando basso, slap e ghost come se fossero cassa, rullante e note interne.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePoi fai l'esercizio più interessante: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edisattiva lo snare e suona esattamente lo stesso pattern.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTi accorgerai immediatamente di quanto il carattere del groove cambi pur mantenendo identiche le mani.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn registrazione consigliamo inoltre di non microfonare soltanto il foro posteriore. Un microfono posteriore può dare corpo alle basse, ma un secondo microfono davanti, correttamente posizionato, permette di recuperare molto meglio slap, ghost e articolazione delle mani.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCaratteristiche tecniche\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eModello:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sela CaSela Pro Dark Nut SE 106\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTipologia:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Professional Snare Cajon\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCorpo:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e betulla\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCostruzione:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 11 strati\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSpessore corpo:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 15 mm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSuperficie battente:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sela Thin Splash con finitura Dark Nut\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSuperficie battente sostituibile:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e sì\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAngoli:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e acero massello arrotondato\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSistema snare:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sela Snare System\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSnare On\/Off:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e sì, tramite leva laterale\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eRegolazione snare:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e sì\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSecondo snare opzionale:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e installabile\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eClap Corners:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e regolabili\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePiedini:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e gomma antiscivolo\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDimensioni:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e circa 47 x 30 x 30 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eProduzione\/componentistica:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Made in Germany\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePercussion Village Milano - Da 30 anni al fianco dei batteristi e percussionisti.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLaboratorio riparazioni e modifiche personalizzate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBatterie, percussioni, ricambi e accessori selezionati da batteristi per batteristi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePercussion Village Milano è anche PV Music School.\u003c\/span\u003e\u003c\/p\u003e\u003c\/xhtml\u003e \u003c\/p\u003e","brand":"SELA","offers":[{"title":"Default Title","offer_id":58333382410622,"sku":"CJ-SE106","price":244.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"cajon-sela-casela-satin-nut-se-002a-cajon-professionale","title":"cajon Sela CaSela Satin Nut SE-002A Cajon Professionale","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cxhtml\u003e\u003ch3\u003e\u003cspan\u003eSela CaSela Satin Nut SE-002A – Cajon Professionale\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBasso pieno, slap secco e uno snare che risponde subito.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eIl Sela CaSela SE-002A è un cajon professionale costruito per chi non vuole un semplice accompagnamento ritmico, ma cerca \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edinamica, definizione e un vero controllo del suono sotto le mani\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003ePerché comprarlo\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCorpo in betulla a 11 strati da 15 mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rigido e molto stabile\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBassi presenti e ben separati\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e dalla zona slap\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003eSnare brillante, rapido e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eregolabile\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSela Snare System completamente rimovibile\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003eSuperficie battente \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSela Thin Splash sostituibile\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003eClap Corners per ottenere accenti più secchi e aggressivi\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003eAngoli arrotondati in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eacero massello\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003eCostruzione \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMade in Germany\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eÈ un cajon che può essere suonato con un approccio molto vicino a quello del batterista: kick, backbeat, ghost note, accenti e dinamiche risultano facilmente distinguibili.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCome suona\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa cosa interessante del CaSela è la separazione tra le diverse zone sonore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAl centro, il colpo di basso è \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eprofondo, compatto e controllato\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, senza quella coda eccessivamente gonfia che spesso rende poco leggibile un cajon all'interno di una band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSalendo verso la parte superiore, la risposta diventa rapidamente più asciutta e presente.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eslap esce deciso\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, mentre il Sela Snare System aggiunge quella componente brillante e sabbiosa che permette di ottenere un vero contrasto tra basso e backbeat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer un batterista questo significa poter costruire groove nei quali \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecassa e rullante sono immediatamente riconoscibili\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, anche senza microfonazione particolarmente sofisticata.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa risposta veloce della superficie è inoltre molto piacevole quando si lavora con \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eghost note, doppi colpi, rudimenti e fraseggi più articolati\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCostruzione: qui lo spessore conta\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIl corpo è realizzato in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebetulla a 11 strati con uno spessore di 15 mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNon è una scelta secondaria.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn corpo così rigido disperde meno energia durante il colpo e contribuisce a dare al CaSela una risposta molto immediata, con basse frequenze definite e una buona proiezione.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa struttura è assemblata utilizzando componenti lavorati con precisione e realizzati in Germania.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGli angoli sono rifiniti con elementi arrotondati in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eacero massello\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, soluzione che aumenta il comfort soprattutto nelle sessioni lunghe e permette di lavorare sugli slap senza trovare uno spigolo eccessivamente aggressivo sotto le mani.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSela Thin Splash: una superficie pensata per rispondere\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa superficie battente utilizza il sistema \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSela Thin Splash\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e con finitura Satin Nut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo spessore e la costruzione del pannello sono studiati per ottenere una risposta rapida anche con colpi leggeri.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesto si sente soprattutto lavorando sulle dinamiche basse: non serve massacrare il cajon per far entrare lo snare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAltro dettaglio importante: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ela superficie battente è sostituibile\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer uno strumento destinato a essere realmente suonato, magari in studio, live o durante lezioni quotidiane, è una caratteristica tutt'altro che trascurabile.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSela Snare System: regolalo come piace a te\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eAll'interno troviamo il \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSela Snare System\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, uno degli elementi più interessanti di questo modello.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa quantità di effetto snare può essere regolata in base al proprio modo di suonare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVuoi un attacco molto presente per pop, rock acustico o funk? Puoi enfatizzarlo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePreferisci un suono più aperto, con maggiore predominanza del legno? Puoi ridurne l'intervento.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eE puoi anche \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erimuovere completamente il sistema snare\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA quel punto il carattere cambia sensibilmente e il CaSela si avvicina maggiormente alla risposta di un cajon peruviano tradizionale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn pratica non hai un cajon con un solo suono: hai uno strumento che può essere adattato al contesto musicale.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eClap Corners\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eGli angoli superiori consentono di ottenere il caratteristico \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eClap Sound\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, più corto, secco e aggressivo dello slap tradizionale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ una voce molto utile per creare variazioni all'interno del groove oppure per accentare determinati punti della frase senza aumentare semplicemente il volume.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChi arriva dalla batteria può pensarlo quasi come una voce aggiuntiva del set.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003ePer chi lo consigliamo\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIl Sela CaSela SE-002A ha particolarmente senso per \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebatteristi e percussionisti che utilizzano il cajon come vero strumento ritmico\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, non soltanto come sostituto occasionale della batteria.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFunziona molto bene in:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eacoustic set, pop, rock unplugged, funk, cantautorato, piccoli ensemble, accompagnamento di chitarra e voce, studio e situazioni live a volume controllato.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ interessante anche per il batterista che vuole trasferire sul cajon parte del proprio vocabolario: paradiddle, doppi, ghost note, flam e sticking possono diventare materiale estremamente musicale quando vengono distribuiti tra bass, snare e clap.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIl consiglio di Percussion Village\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSe vieni dalla batteria, non limitarti al classico schema \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebasso-slap-basso-slap\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDividi mentalmente il CaSela in tre zone:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ecentro = cassa\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ezona superiore = rullante\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eangoli = accenti\/clap\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePoi prova a trasferire sul cajon groove che normalmente suoneresti sul drum set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLavora sulle ghost note con pochi centimetri di movimento della mano e lascia gli slap più importanti per il backbeat. La differenza tra un cajon suonato semplicemente forte e un cajon realmente controllato sta soprattutto \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enelle dinamiche intermedie\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn altro consiglio: sperimenta con la regolazione dello snare prima di decidere quale suono preferisci. Più snare non significa necessariamente più presenza. In una situazione amplificata, spesso una regolazione leggermente più asciutta restituisce un suono \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epiù grosso e definito nel mix\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifiche principali\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eModello:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sela CaSela Satin Nut SE-002A\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCorpo:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e betulla, 11 strati\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSpessore corpo:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 15 mm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSuperficie battente:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sela Thin Splash\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFinitura:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Satin Nut\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSuperficie battente sostituibile:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e sì\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAngoli:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e acero massello arrotondato\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSistema snare:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sela Snare System regolabile e rimovibile\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eClap Corners:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e sì\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePiedini:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e gomma antiscivolo\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDimensioni:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e circa 47 x 30 x 30 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCostruzione:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Made in Germany\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSe cerchi un cajon che risponda realmente alle dinamiche, abbia un basso credibile e ti permetta di lavorare sullo snare invece di subirlo, il CaSela SE-002A è uno strumento con cui puoi andare decisamente oltre il semplice accompagnamento acustico.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePercussion Village Milano - Da 30 anni al fianco dei batteristi e percussionisti.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLaboratorio riparazioni e modifiche personalizzate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBatterie, percussioni, ricambi e accessori selezionati da batteristi per batteristi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePercussion Village Milano è anche PV Music School.\u003c\/span\u003e\u003c\/p\u003e\u003c\/xhtml\u003e \u003c\/p\u003e","brand":"SELA","offers":[{"title":"Default Title","offer_id":58333382672766,"sku":"CJ-SE002A","price":214.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"cajon-duende-giara-first-2-0-ziricote-in-betulla-con-tapa-frontale-natural-a-venatura-sistema-di-tensione-st-2-cordiere-a-v-con-2-regolazioni-h-cm-49-l-cm-30-p-cm-31","title":"Cajon duende giara First 2.0 Ziricote in Betulla con tapa frontale natural a venatura. Sistema di tensione ST-2 – Cordiere a V con 2 regolazioni – H cm. 49 | L cm. 30 P cm. 31","description":"\u003cp\u003e\u003cxhtml\u003e\u003ch2\u003e\u003cspan class=\"ef-titolo4\"\u003eGiara by Duende GIARA-ZIRICOTE-N Cajon\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAttacco pronto, bassi presenti e cordiera regolabile: un cajon che non ha bisogno di essere “spinto” per farsi sentire.\u003cbr\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGiara by Duende GIARA-ZIRICOTE-N\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è pensato per chi vuole un cajon reattivo, con una buona separazione tra bassi e slap e, soprattutto, la possibilità di intervenire realmente sulla risposta della cordiera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa finitura Ziricote naturale gli dà inoltre un look decisamente più ricercato rispetto al classico cajon nero o in betulla chiara.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003ePerché comprarlo\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003ePerché qui non hai semplicemente una scatola con due corde appoggiate dietro alla tapa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl sistema \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eST-2 con due cordiere a V regolabili\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e permette di intervenire sulla quantità e sulla sensibilità dello snare effect, adattando lo strumento al proprio tocco.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSe cerchi:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003ebassi pieni ma leggibili;\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003eslap veloce e definito;\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003erisposta della cordiera regolabile;\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003ebuona proiezione anche senza microfonazione;\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003euno strumento versatile per acustico, pop, flamenco, latin e situazioni unplugged;\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003equesto Giara è una scelta molto centrata.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCome suona\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etapa in betulla\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e dà allo strumento una risposta piuttosto veloce.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl colpo centrale produce un basso presente e compatto, mentre salendo verso gli angoli aumenta progressivamente l’attacco della cordiera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa betulla tende a restituire un suono \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003echiaro, rapido e ben definito\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, caratteristica utile soprattutto quando il cajon deve convivere con chitarre acustiche, basso e voce senza impastare troppo il mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo slap è secco e immediato.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNon è il classico cajon eccessivamente “boomy” dove tutto finisce sulle basse: qui c’è una buona distinzione tra \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebass tone, ghost note e slap\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEd è proprio questa separazione che lo rende interessante per chi suona con una tecnica più evoluta.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDue cordiere a V: qui puoi lavorare davvero sul suono\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eAll’interno trovi \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edue cordiere disposte a V\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, ciascuna con possibilità di regolazione tramite il sistema ST-2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesta configurazione aumenta la zona di contatto tra cordiera e tapa e permette di ottenere una risposta snare più omogenea sull’area superiore dello strumento.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAumentando la tensione ottieni una risposta più secca, corta e definita.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRiducendola, il cajon diventa leggermente più aperto e “sporco”, con una presenza maggiore della cordiera anche sui colpi meno accentati.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ una regolazione semplice, ma per un percussionista esperto fa una differenza enorme.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCostruzione: perché betulla e MDF funzionano bene insieme\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa superficie battente è realizzata in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebetulla\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, mentre il corpo utilizza \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMDF con finitura nera\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePuò sembrare una soluzione meno sofisticata rispetto a un corpo completamente in multistrato, ma dal punto di vista progettuale ha una logica precisa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eL’MDF presenta una struttura molto uniforme e stabile: non ha venature, nodi o variazioni importanti di densità come il legno naturale.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesto permette di costruire una cassa con pareti regolari e una risposta prevedibile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa tapa in betulla svolge invece il vero lavoro dinamico: deve essere sufficientemente elastica per reagire ai colpi e trasmettere energia all’interno della cassa, ma abbastanza controllata da non produrre vibrazioni eccessivamente lunghe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl risultato è un cajon con un comportamento abbastanza diretto e controllabile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa finitura \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eZiricote naturale\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e aggiunge carattere estetico alla superficie senza modificare la filosofia costruttiva dello strumento.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensioni\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAltezza:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 49 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLarghezza:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 30 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eProfondità:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 31 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSono misure molto equilibrate anche per chi proviene dalla batteria e tende a utilizzare sul cajon una postura leggermente più “drummer oriented”.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIl consiglio di Percussion Village\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa prima cosa da fare con questo cajon è \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enon lasciare automaticamente la cordiera come esce dalla scatola\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSuonalo qualche minuto e ascolta soprattutto tre zone:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eil basso centrale, le ghost note nella parte medio-alta e lo slap vicino agli angoli.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePoi intervieni gradualmente sulla tensione delle due cordiere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSe vuoi maggiore definizione per pop, funk acustico o situazioni amplificate, tienile leggermente più tese.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSe invece cerchi una risposta più aperta per flamenco e fraseggi molto dinamici, prova a diminuire leggermente la tensione.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFai sempre regolazioni piccole e simmetriche: mezzo giro può già cambiare parecchio la risposta.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn altro consiglio: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enon colpire il centro con troppa forza per cercare il basso\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn buon cajon deve lavorare per risonanza. Impara a trovare il punto in cui la tapa produce il fondamentale più profondo con il minimo sforzo: otterrai più volume, più dinamica e affaticherai molto meno la mano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSe devi microfonarlo dal vivo, parti con il microfono vicino al foro posteriore ma non esattamente al centro: spostandolo leggermente di lato riduci l’effetto “sub” e recuperi più definizione del colpo.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIn sintesi\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGiara by Duende GIARA-ZIRICOTE-N\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è un cajon per chi vuole qualcosa di più del semplice strumento entry level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa combinazione tra \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etapa in betulla, corpo stabile in MDF e doppia cordiera regolabile ST-2\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e permette di ottenere un suono definito, dinamico e soprattutto personalizzabile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn cajon che può tranquillamente accompagnarti in prova, sul palco o in una situazione acustica senza diventare il limite della tua tecnica.\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003ePercussion Village Milano - Da 30 anni al fianco dei batteristi e percussionisti.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLaboratorio riparazioni e modifiche personalizzate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBatterie, percussioni, ricambi e accessori selezionati da batteristi per batteristi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePercussion Village Milano è anche PV Music School.\u003c\/span\u003e\u003c\/p\u003e\u003c\/xhtml\u003e \u003c\/p\u003e","brand":"DUENDE","offers":[{"title":"Default Title","offer_id":58333566468478,"sku":"GIARA-ZIRICOTE-N","price":148.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"cajon-duende-giara-modello-hidrofugo-1","title":"cajon duende giara modello hidrofugo 1","description":"\u003cp\u003e\u003cxhtml\u003e\u003ch2\u003e\u003cspan\u003eGiara by Duende Hidrofugo 1 – Cajon\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAttacco deciso, slap presente e bassi compatti.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGiara by Duende Hidrofugo 1\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è un cajon pensato per chi cerca uno strumento diretto, robusto e facilmente gestibile anche in situazioni di utilizzo intenso.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa combinazione tra \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etapa in betulla\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e e corpo in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMDF idrorepellente\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e gli dà una risposta pronta, con una separazione piuttosto netta tra basse frequenze e zona slap.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003ePerché comprarlo\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003ePerché offre alcune caratteristiche molto concrete:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003etapa frontale in betulla\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ecorpo in MDF idrorepellente\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003edue cordiere interne a V\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003esistema di tensione \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eST-2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003edue regolazioni indipendenti\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e delle cordiere\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003edimensioni tradizionali e comode da suonare\u003c\/span\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cspan\u003ecostruzione \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMade in Spain\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSoprattutto, non è il classico cajon nel quale devi accettare il rapporto tra basso e cordiera così come esce dalla fabbrica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQui puoi intervenire sulla tensione delle cordiere e adattare la risposta al tuo modo di suonare.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCome suona\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebetulla\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e utilizzata per il pannello battente contribuisce a dare una risposta veloce e una buona definizione sulle frequenze medio-alte.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNella zona superiore il colpo esce con un \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eattacco netto\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, particolarmente utile quando vuoi uno slap che attraversi bene chitarre, basso e altri strumenti acustici.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScendendo verso il centro della tapa, la risposta diventa più piena e rotonda.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl carattere generale è quindi quello di un cajon con una buona distinzione tra:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ebasso centrale – tono – slap – intervento della cordiera.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNon è uno strumento che punta esclusivamente a produrre una quantità enorme di risonanza. La sensazione è più controllata e precisa, caratteristica interessante soprattutto quando devi microfonarlo o inserirlo in un ensemble.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDue cordiere a V: qui puoi realmente lavorare sul suono\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eUno degli elementi tecnicamente più interessanti è il sistema \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eST-2 con due cordiere disposte a V e due punti di regolazione\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa disposizione a V permette alla cordiera di lavorare principalmente sulle aree della tapa nelle quali viene ricercata la componente più brillante e \"snare\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa regolazione della tensione cambia sensibilmente il comportamento dello strumento.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePiù tensione:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e risposta della cordiera più asciutta, veloce e controllata.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMeno tensione:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e maggiore sensibilità e una presenza più evidente della componente snare anche sui colpi leggeri.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEd è proprio qui che conviene sperimentare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNon esiste una regolazione universalmente corretta: dipende da tocco, volume e genere musicale.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCorpo in MDF idrorepellente\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eIl corpo è realizzato in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMDF idrorepellente con finitura nera\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDal punto di vista costruttivo l'MDF ha una caratteristica importante: è un materiale molto uniforme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA differenza del legno massello, non presenta venature o variazioni strutturali importanti tra una zona e l'altra. Questo permette di ottenere pannelli dimensionalmente regolari e una struttura stabile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa versione utilizzata per questo modello è \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eidrorepellente\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, quindi progettata per offrire una maggiore resistenza all'umidità rispetto a un normale MDF.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAttenzione però alla terminologia: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eidrorepellente non significa impermeabile\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ comunque uno strumento musicale in legno e derivati del legno e deve essere trattato di conseguenza.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCome è costruito\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eLa struttura di un cajon apparentemente è molto semplice, ma acusticamente ogni elemento lavora insieme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl corpo costituisce la \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecamera di risonanza\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa tapa in betulla è invece la superficie vibrante principale: deve essere sufficientemente elastica per rispondere al tocco, ma abbastanza controllata da restituire un attacco definito.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll'interno, le \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edue cordiere a V\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e entrano in contatto con la tapa e aggiungono la componente brillante tipica del cajon moderno.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa regolazione ST-2 permette di modificare la pressione delle cordiere sulla superficie battente.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ proprio l'equilibrio tra \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erigidità della cassa, elasticità della tapa e tensione delle cordiere\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e a determinare buona parte del comportamento dello strumento.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eMisure\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAltezza:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 48 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLarghezza:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 30 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eProfondità:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 30,5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSono misure che danno allo strumento una seduta tradizionale e una camera acustica sufficientemente importante per sviluppare una buona fondamentale sulle basse.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIl consiglio di Percussion Village\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eAppena lo prendi, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enon iniziare subito a modificare la tensione delle cordiere\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSuonalo prima per qualche minuto così com'è.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProva bassi al centro, tone nella zona intermedia e slap negli angoli e ascolta quanto interviene la cordiera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSolo successivamente fai regolazioni molto piccole.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSe cerchi un suono \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efunk, pop o molto definito\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, puoi aumentare leggermente la tensione per rendere la risposta più corta e controllata.\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSe invece lavori con dinamiche basse, unplugged o accompagnamento acustico, prova una tensione leggermente inferiore: la cordiera inizierà a rispondere anche con un tocco più leggero.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eE soprattutto \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enon tirare automaticamente le due regolazioni al massimo\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Su un cajon ben regolato la cordiera deve completare il suono della tapa, non soffocarlo.\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer la microfonazione, prova inizialmente un microfono rivolto verso il foro posteriore, ma senza infilarlo eccessivamente all'interno: avvicinandolo troppo rischi di ottenere molto basso e poca definizione.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGiara by Duende Hidrofugo 1\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e è quindi una scelta particolarmente interessante per chi cerca un cajon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erobusto, regolabile e con un suono diretto\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, senza salire necessariamente verso strumenti di fascia molto più costosa.\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePercussion Village Milano - Da 30 anni al fianco dei batteristi e percussionisti.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLaboratorio riparazioni e modifiche personalizzate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBatterie, percussioni, ricambi e accessori selezionati da batteristi per batteristi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePercussion Village Milano è anche PV Music School.\u003c\/span\u003e\u003c\/p\u003e\u003c\/xhtml\u003e \u003c\/p\u003e","brand":"DUENDE","offers":[{"title":"Default Title","offer_id":58333566796158,"sku":"GIARA-IDROFUGO1","price":142.0,"currency_code":"EUR","in_stock":true}]}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0872\/5984\/0828\/collections\/cajon.jpg?v=1730912901","url":"https:\/\/percussionvillage.it\/de\/collections\/cajon.oembed","provider":"Percussion Village","version":"1.0","type":"link"}